Attributed to Henry Hill of Marlborough.
The octagonal tilt top veneered in satinwood with central marquetry spray of intertwining branches and flowers, cross branded in padouk with a solid ebony moulding; the solid padouk base with central stem with wrythen turning and three elegant gothic legs, again in solid ... ![]()
Ref #555
Each slatted curved seat flanked by outscrolled sides, raised on square legs joined by cusped arched to the front and stretchers to the sides and ... ![]()
Ref #547
Possibly by William Ince and John Mayhew.
The semi-elliptical top cross-banded in tulipwood, harewood and goncalo alvez inlaid with cornucopia and mimosa; the central marquetry tablet depicting Orpheus, Pluto and Persephone before his journey into the Underworld, surrounded by inlay of urns, bellflowers and mimosa; the base with three ... ![]()
Ref #535
The moulded Breccia Rosato top over a finely carved frieze of strapwork and paterae supported by four cabriole legs carved with anthemion and acanthus terminating in scrolled feet.
The frame stamped W. H.![]()
Ref #530
Possibly by James Moore.
The frieze scrolled and panelled and centred by a carved plume, the scroll-carved cabriole legs decorated at the knees with cartouches flanked by scrolls and acanthus leaves and on raised moulded shaped ... ![]()
Ref #527
Possibly by Thomas Chippendale.
English, circa 1770
The serpentine Breccia Violet moulded marble top over a deep frieze carved with acanthus and bellflowers and with a central anthemion; the elegant cabriole legs headed by anthemion and further acanthus terminating in scroll feet.![]()
Ref #511
The elegantly moulded and ebonised frame with carved and gilt paterae and brackets of gilded waterleaves, the legs united by ebonised and gilt turned stretchers, upholstered in ... ![]()
Ref #373
Each with a scrolled toprail above a curved back into outward scrolling arms faced with mahogany carved into scrolls and acanthus; the faceted legs applied with beads terminating in brass ... ![]()
Ref #371
The grey breccia marble tops over a fluted frieze into central carved tablet with an urn and acanthus foliage; the four turned and fluted legs headed by carved paterae; the original off white painted decoration has now been revealed through removal of the later ... ![]()
Ref #370
The solid mahogany top with moulded edge over an elaborate frieze applied with Gothic fretwork and carvings of foliage and paterae with rosette and ribbon astragals; the four legs with four columns joined by a platform and with a pierced plinth; the finials and internal carvings ... ![]()
Ref #369
The turned arched top rail over a caned back with moulded and ebonised frame and with applied brass mouldings; the scrolled arms with upholstered pads over sabre legs applied with turned paterae, terminating in brass ... ![]()
Ref #368
William Marsh (active 1775-1810) and Thomas Tatham (1763-1818) were partners in a very successful firm of cabinetmakers and upholsterers based in Mount Street. They carried out major commissions for the Prince of Wales at Brighton Pavilion and at Carlton House. Charles Heathcote Tatham (1772-1842), brother of Thomas, was sent ... ![]()
Ref #364
The rectangular top above a mahogany lined frieze drawer with ivy wrapped mount centred by oval medallions, above a pair of glazed panelled doors enclosing a shelf flanked by conforming mounts, on a rectangular platform base with a waved apron centred by a bronze foliate mount, on bracket ... ![]()
Ref #362
The St. Anne’s grey marble top over a crossbanded rosewood frieze with applied gilt bronze mounts of anthemion, laurel and chimerae; supported on finely carved giltwood monopodia to the front and carved giltwood pilasters to the rear; on a simulated porphyry plinth.![]()
Ref #358
The moulded Breccia di Medici marble tops over the frieze carved with egg and dart and flower and ribbon; the elaborately carved apron with central cartouche and flanking acanthus; supported by cabriole legs carved with stylised oak leaves, terminating in hairy paw ... ![]()
Ref #357